Holly doesn’t mind the idea of uprooting her life, even if it would mean living somewhere completely different than the United States. Beneath the surface of Holly’s affable charm, she experiences quite a bit of sadness—so much, in fact, that she has given this discontent its own name: “the mean reds.” The fact that she goes to Tiffany’s jewelry store when she feels this way implies that she wants to find a sense of belonging even though she’s unable to. Indeed, it seems that people flock to her, a notion that O.J. Breakfast at Tiffany’s is a frame narrative. The gifts Holly and the narrator exchange over their only Christmas together underscore this thematic tension: He gives her a medal of St. Christopher, the patron saint of safe traveling; she gives him an ornate bird cage on the condition that he never put anything living inside it. Holly is well aware that her ability to sustain herself is directly linked to whether or not people admire and covet her. Holly's cat symbolizes freedom and Holly's resistance to captivity. This confirms Holly’s idea that the narrator wants to be “on the inside staring out,” since he currently feels like an outsider.
Simply put, the narrator apparently has no problem violating Holly’s privacy. It’s rather surprising that Holly is happy to see Doc. The narrator brings up Doc Golightly because he’s angry and disappointed to hear that Holly is about to move. It’s somewhat hypocritical that Holly criticizes the narrator for not knowing what he wants, since she has admitted multiple times that she has the same problem. Of course, Holly was already aware that the narrator knew this detail about her life, but he has never weaponized the truth against her like this. This is because he has developed something of an obsession, wanting nothing more than to know about her and the way she lives her life. In this regard, then, they are opposites. At a time when American narratives did not forthrightly treat gay characters or investigate the nuances of gender roles, Capote created a narrative in which the construction of both gender and sexual identity served as thematic interest. Once again, then, readers see just how little privacy Holly has, though it remains the case that hardly anyone knows about her past. This time, she adds to this sentiment by saying that fame might interfere with her ability to fully come into herself and settle into her own life. Still, Holly clearly feels rather alone in the city and is eager to leave, despite the fact that she has the narrator as a friend and has fallen in love with José. © 2020 eNotes.com, Inc. All Rights Reserved. Article last reviewed: 2019 | St. Rosemary Institution © 2010-2020 | Creative Commons 4.0. On another note, the fact that Holly quells Mr. Yunioshi’s anger by promising to pose nude for him indicates that she knows how to use her sexuality to her own advantage, well aware that she can lord her beauty over men in order to make her own life better.
As the narrator and Joe speculate about Holly’s whereabouts, it becomes increasingly obvious that they are rather obsessed with her.
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