Like Turandot, Calaf is an extremely difficult part. Met Debut. Act III was her time to shine, although on occasion, she seemed to be pushing herself, however slightly, in her upper register. Peter Gelb presented him with an award shortly after the end of the first Act. As the Mandarin, an imperial herald, Jeongcheol Cha demonstrated his profound bass-baritone. When James Morris appeared as Timur in Turandot on Oct. 17, he sang his 1,000 performance with the Metropolitan Opera. This week, Met Opera Radio will feature a 1989 performance of Die Walküre that captures Morris’ Wotan at its very best, alongside a starry cast that also features Hildegard Behrens as Brünnhilde, Gary Lakes as Siegmund, Jessye Norman as Sieglinde, Christa Ludwig as Fricka, and Kurt Moll as Hunding.
CHRISTINE GOERKE.
After making his debut in 1971 at the age of 23 as the King in Verdi’s Aida, the bass-baritone went on to become one of the most celebrated artists of his generation, delivering outstanding performances in 60 roles with the company, including Scarpia in Tosca, Han … Past seasons have seen him in roles, such as the lead in Verdi’s “Otello” and Pollione in “Norma.” Now he can add Calaf to his list. He has written many reviews and commentary on opera for a variety of publications including New Jersey Monthly, Salon, PC Gamer, and Mexico’s Pro Ópera. The work has show-stopping arias and music that heightens the drama of the story. However, Turandot is an extremely difficult role.
YANNICK NÉZET-SÉGUIN. Repertory. The Met has had a great opening to the season, its productions of “Norma,” “Die Zauberflöte,” and “Les Contes d’Hoffmann” have been well-received. Likewise, Giacomo Puccini succumbed to lung cancer before completing “Turandot.” The last piece he wrote was the funeral march for the slave girl Liù. But Morris’ most memorable role has to be Wotan in the Ring cycle, a portrayal that places him among history’s greatest interpreters of Wagner’s king of the gods. Their robust sound helped bring out the richness of Puccini’s score. On the podium, of course, is James Levine. Compositionally, “Turandot” displays everything that makes Puccini a great opera composer. She must be a heavy dramatic soprano who can also belt out some incredibly high notes.
Find The Metropolitan Opera on Facebook (opens new window) Find The Metropolitan Opera on Twitter (opens new window) The beauty of the current Met production is that it is high on spectacle but also cost-effective. ... Turandot arrives and recounts the story of her ancestor who … However, “Fanciullla” is more sprawling and not as focused as Turandot. CONDUCTOR. Hometown. Email Signup. She demonstrated good attention to text in the riddle scene before losing to Calaf. The completed work would have its premiere in 1926 with additional music by Franco Alfano, supposedly based on sketches Puccini left behind. Oksana Dyka gave an uneven performance as the icy princess who vows never to marry. CONDUCTOR. She seemed underpowered in Act I but was still able to end her big aria, “Signore ascolta,” with a breath taking pianissimo. He sang elegantly with beautifully sustained tone. opera in exile; Turandot Starring Christine Goerke, Eleonora Buratto, Yusif Eyvazov and James Morris, conducted by Yannick Nézet-Séguin.From October 12, 2019. It’s no surprise, therefore, that the Met’s Franco Zeffirelli production from 1988, which is now in the midst of a revival, has proven to be a crowd favorite. Soprano Eleonora Buratto as Liù and bass-baritone James Morris as Timur complete the cast. Some might even say the chorus functions as its own character, a mass of Chinese peasants who comment or react to the events of the plot. He sang elegantly with beautifully sustained tone. When the opera had its premiere in 1924, under Arturo Toscanini’s baton, he turned to the audience after Liù’s funeral march and uttered the now immortal words, “and here the Maestro put down his pen.”. Occasionally music history has strange coincidences where a famous composer is unable to finish his final work.
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